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Think “Michelangelo” but with tattoos
For your daily inspiration: Italian sculptor Fabio Viale works in marble to make it look like styrofoam. He also recreates famous classic Italian sculptures (think Michelangelo’s David or Pieta) and adds tattoos. His tattooed marble sculptures are not colored on the surface — not painted over — the ink infiltrates the marble in a very similar way that tattoos penetrate human skin.
Pop culture dystopia at its finest
Filip Hodas, illustrator, computer animator, and visual effects artist, has become well known for his pop culture dystopias.cartoon fossils, a digital art series that envisions the preserved remains of our pop icons as if they were fossils.
Check out his work here >>
Read the DesignBoom story here >>
I got 99 problems
“Money was invented long after humans arrived on the scene, and commerce can’t solve all problems.”
Photo by Eric Muhr on Unsplash
You can’t say you can’t play
There is a lot to learn from this great little post by Seth Godin:
Lenny Levine was a great kindergarten teacher. And he ran his class by this one rule.
It means that if another kid comes along, you need to include them in your game.
That’s it.
It changes everything. It puts an emphasis on connection, not exclusivity. It changes the dynamics of belonging. It weaves together a foundation that crosses traditional boundaries.
It’s a bit like giving every kid in the class a valentine’s day card. Some say that it cheapens the sentiment because it’s not about selection, it’s about inclusion. I think we’ve got plenty of selection already.
Photo by BBC Creative on Unsplash
On seeking a category
Seth Godin on why competition is such a good thing:
A new ice-cream shop opened up downtown. Do you want to go?
Every word in that sentence is easy to understand. We know that a ‘new ice cream shop‘ is a bit like the other ice cream shops in our experience, except a little different and probably better.
And where know where downtown is.
That’s a different question than:
- Have you subscribed to Prodigy? (1989)
- Did you hear that podcast? (2004)
- Want to see my iPhone? (2008)
- Do you know how to program an Arduino? (2016)
When you ask a question about a new entry that’s also in a new category, you’re now trying to do two things:
1. Explain what the thing is. What it rhymes with. What it does. What the parameters are, whether it can be trusted to work, whether or not you’ll feel stupid doing it…
2. Ask whether your friend, now that she vaguely understands what the thing is, even wants it.
I’ve been living in this state of mystery for three decades. I’ve been asked by generous and interested folks, “what’s email?” as well as, “what’s a cd-rom?” and now, “what’s the altMBA?”
First you need to explain the category (which is never glib or easy) and then you can help people figure out whether they want to leap or not.
This is one reason why competition is such a gift. If you have competition, now you have others helping you explain the category. With competition, you can say things like, “We’re like Uber, but without the scandals.”
Photo by David Calavera on Unsplash
Confusing hunger and thirst
Great insight from the ever brilliant Seth Godin:
If you find yourself stranded in the desert with nothing but an endless supply of chips, you’re going to die within a week.
The same thing could happen to you if you had nothing but water to live on. Hunger and thirst are similar, easily confused but very different.
Our culture of corporate consumption tries to persuade us that being hungry is all we need. Hungry to earn more, buy more, save more, spend more. It celebrates the hustler who doesn’t know how to stop, asserting that this person is getting all the fancy prizes because they’re contributing so much. Status is awarded to the unsated hungry person.
But they might still be thirsty. Thirsty for meaning and connection. Thirsty for the satisfaction of creating beauty. More hustle won’t satisfy those needs.